DON COSSACK CHOIR OF S. A. ZHAROV IN THE USA: THE 1930S(CULTURAL AND HISTORICAL CONTEXT OF THE RUSSIAN 20TH CENTURY)

Abstract

Aim. To examine how concert performances of the world-famous Don Cossack Choir of S. A. Zharov were perceived by US music community, theatre audience, and Russian immigrant community in the 1930s, before the World War II. Thus far, this topic has not been sufficiently studied. Procedure and research methods. Various aspects of the creative activity of the Don Cossack Choir during their tour across the USA were analysed. The study was conducted drawing on a set of scientific approaches, including historicism and systematic method, widely applicable in modern history. American newspapers and periodicals, as well as reports of the participants were used as the main source of data. Results. The Choir presented Russian folk art to foreign audience, successfully promoting Russian music abroad. Concert performances of the Don Cossack Choir made an unforgettable impression on American music community and wide audience. Theoretical / practical relevance. This research may be of interest to those investigating issues associated with Russian immigrant communities, Russian-American relations, and cultural links between the two countries.