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Bulletin of the State University of Education. Series: History and Political Sciences

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The historical aspect of tradition and innovationin contemporary church fresco. Introductionof monumental artists’ names into art history

Abstract

The article is devoted to the process of the Orthodox Art formation during the historical changes in tradition development and innovation in contemporary church fresco. On the example of Moscow churches the author studies the history of the Canon comprehension, through the way the artist A.V. Artemiev and his contemporaries (followers of the Old Russian school of painting - before Peter I period, European easel portrait painting) made it the basis of the rules of the monumental oil painting. The article describes the combination of innovative theories with the canonical tradition of monumental ecclesiastical painting which is important for the author’s style development within the canonical rules and formulations. The author states such combination is necessary for depicting the events described in the Gospel.

About the Author

A. . Andreeva
St. Petersburg Humanitarian University of Trade Unions
Russian Federation


References

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ISSN 2949-5156 (Print)
ISSN 2949-5164 (Online)